Gestalt: Law of Common Fate

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The law of common fate is one of four visual perception laws as theorized by gestalt psychologists. Paul Martin Lester, the author of Visual Communication, an expert in the field wrote: “The fourth law of Gestalt psychology is the law of common fate. A viewer mentally groups five arrows or five raised hands pointing to the sky because they all point in the same direction. An arrow or a hand pointed in opposite direction will create tension, because the viewer will not see it as part of the upwardly directed whole.”

Gestalt’s law of common fate is a pretty simple concept. It is basically referring to visual directional lines within a design or layout. In a photograph, if two or more people are moving in the same direction, they have created a directional line known as the law of common fate. Together, they have a common fate or destiny. Another example of the law of common fate could include similar shapes aimed in the same direction. You might wonder why the law of common fate is of importance to artists. First of all, when two objects (whether it be shapes or organic forms) are pointed in the same direction in a layout, the directional lines become dominant in a design. So, if two or more powerful shapes are aimed at or moving in a certain direction, an artist knows to put the message at the point of destination.

Graphic Design

Directional lines push our eyes around a page. This can be a problem every bit as much as bonus. For instance, visual collisions frustrate the viewing audience. It can cause too much tension and cause anxiety for the reader which in turn, makes the layout uninviting and too intense.

If a candid photograph of a moving car is heading to the right, the law of common fate dictates that the directional line is pointing to the right. Then again, if a candid photograph of a car is aimed towards the left and the image is part of a design, the directional line is now aimed towards the left. Therefore, if a car is headed towards the right (on an image), the image of the car should be placed towards the left-hand side of a layout, because our eyes read from left to right. This is why the law of common fate is so important. The law of common fate should not be ignored in graphic designs and advertisements. Understanding the law of common fate and how directional lines work on layouts can make all the difference in how information is read and understood.

Gestalt: Law of Common Fate

Debbie Jensen, Graphic Designer and Photographer [http://www.debjensendesigns.com]

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Before & After: How to Design Cool Stuff

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Before and After magazine’s focus on clarity, simplicity, and elegance has won it legions of fans–fans who will welcome this second volume of the definitive Before and After Page Design by John McWade. Truly an icon of the graphic design community, his insistence on approaching design not as mere decoration but as an essential form of communication is vividly apparent in this cohesive primer on page design and layout. And you could not hope for a better, more qualified teacher. McWade shows readers how to arrange and present information using today’s powerful graphics tools. Readers will learn how to design single-page and multi-page documents, brochures, and ads; why one typeface works better than another; and much more. Best of all, they’ll discover how to think visually transforming the images in their heads into something that communicates effectively on the page.


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The New Graphic Design School: A Foundation Course in Principles and Practice (CourseSmart)

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The principles and practice of graphic design

Graphic Design School is a foundation course for graphic designers working in print, moving image, and digital media.

  • Practical advice on all aspects of graphics design-from understanding the basics to devising an original concept and creating successful finished designs.
  • Examples are taken from all media-magazines, books, newspapers, broadcast media, websites, and corporate brand identity.
  • Packed with exercises and tutorials for students, and real-world graphic design briefs.

This revised, fourth edition contains specific advice on how to adapt designs to suit different projects, including information on digital imaging techniques, motion graphics, and designing for the web and small-screen applications.


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New Masters of Poster Design: Poster Design for the Next Century

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New in Paperback!

In much the way that the CD replaced the album, the poster has waned as a messaging vehicle. The poster has now become a postcard and e-mail blast, leaving many to long for the lost age when posters were not only major promotional vehicles, but also artwork worthy of framing.

Some of the world’s best designers just could not stand idle while the poster fell by the wayside. They turned to the poster for personal expression and as an outlet from more restrictive mediums.

This book showcases their breathtaking artwork, which has proven that the poster can still serve as a worthy communications tool. In doing so, they’ve brought the poster back to prominence. In this book, John Foster has compiled the world’s finest new work at the height of this rebirth. There is currently no book on the market that can claim it features a “definitive” poster collection.


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